A Day in San Francisco, 2013

1.  Japantown

It's a balmy day. And I
start at the Chinese consulate
in Japantown and walk
to North beach near
Chinatown.
I carry the same obsession:
"All this walkin' is gonna make a writer outta me. Gonna make a writer outta me, cause experience makes the writer—"
cirrus clouds interrupt my thoughts,
writing makes a writer
too high to grasp,
but I notice them.
"I see you", I mutter.

2.  16th street

"Click-clack, click-clack"- my shoes go click-clack.
He calls out to me, "Click-Clack! Click-Clack!"
"mammacita-
I wanna stick it to ya- Click-clack".
Straight to the point.
Click-clack.
A tongue shoots bullets from the mouth
of a faceless stranger.
I'm hit in the back
multiple times
I stagger, but not fall
I can not fall.
I. must. keep. walking.
Click-clack. The sound of
my high heels on pavement.
They are not that high, not sexy, not askin' for it;
(no one ever asks for it)
sophisticated shoes, classy shoes; Danska's
for Christ Sake! Nobody whistles at Danska wearers!
Skirt stops at the knees- but it don't matter-
lady don't matter.
"Click-clack-
meow, kitty, kitty, here pussy,
pussy-pussy."
But he didn't say pussy, pussy-
he said, "I'm gonna rape you
so. hard. till. you. bleed."
I keep walking no matter
I don't run. Don't let them know you're afraid.
No matter
how much it hurts.
Feet, hurt. heart, hurts. soul, hurts.
How old does a lady gotta be before it stops? Kitty-cat-cat-calls.
Pussy-calls. Rape-calls.
50 maybe? 60 maybe? 70? Then no more click-clacks?
She Still got it?
Waiting for 60.

3.  18th Street

On the corner of 18th
and Church. There is a park and a muni stop.
Madness sleeps on the grass. Breathing corpses.
The sounds of city; horns; chatter, breaking glass, shouting, more…
ricochet against my ear drums.
So. Right. On. Sit on the street corner and wait
for the time to pass.

A beautiful clear day
-did I mention that?
warm with a cool breeze, and
screams from the park.
“Fuck you!”
The corpses remain still in the green green grass.
Below the blue blue sky…

“Fuck you!
I hate it when people disappoint you!
I hate it!”
He is yell-yelling. A lost man is-
He is speaking to someone no one can see.

“I hate it!
They disappoint you and then
you lose trust! I hate that feeling!”

Yelling. Lost man is yelling at the green grass, the blue sky, the corpses, at God, at the universe. Lost man is upset, but not at me,
I am invisible because he is invisible.
Lost man throws luggage with broken wheel at muni.

Can I get an Amen? I think,
staring at my click-clacks.
I don’t like the shoes anymore
they remind me I am not safe
in heels. No one is safe in heels.

4.  Corner of Grant and Vallejo

Cafe Trieste.
Ham and cheese baguette, iced coffee.
North beach bitches.
San Francisco beat, renaissance bitches;
bitches are gone and dead.

There are still regulars here.
Man to the left is typing long sentences on his type-writer computer. Man on right speaks with woman, both have computers.
I. have. note. book. like. cave. person.
His publisher called: The
Man on right. Man on left scowls.

5.  Coit Tower

The city is obscured by trees.
Parking lot staircases lead to
Greenwich and Telegraph hill. Tourists are everywhere:
The French are traveling today
with two ll.’s. Travelling.
I think: Je suis American.
Je ne parle pas Français.
Je comprend un peu.
I say: nothing. Rien! Rien!

A family cuts in front of me in line.
“Attends! Attends!” Map carrying father yells.
All stop. all wait. Pappa says go.
All go.

6.  Again, Cafe Trieste

Ed has lived in San Francisco
in North beach
since he was four years old.
He’s an old man now.
Things have changed, oh yes, they have changed.
This is the place where Francis Ford Coppola
wrote the God Father- there are photos to prove it.
Chinatown surrounds old little Italy, yet,
Little Italy no longer lives here.
When was it little Italy? I ask.
40’s? 50?s
“Cafe Trieste was open in 1956,” Ed says.
“two years before On the Road was published,” Ed says.
“The Year Howl was published.” Ed says.
The year after Joyce Johnson’s
Come and Join the Dance was published and forgotten.
Ed doesn’t mention this.
She was a click-clack-clackity-clack-kitty-here-kitty
beat chick.

7.  The Beat Museum

Brandon works at the Beat Musuem.
“The women are the forgotten ones.
Abandoned wives, neglected children.
Did you know it took a paternity test
to prove that Jan Kerouac was really Jack’s
daughter? It shouldn’t have taken a test-
her face was enough she looked just like him.”
Brandon says.

Baby driver took a diver
over the wine and qualude valley.
“His only family in the end was his mother and his wine.” Brandon says.
“In the end isn’t that all our only family?” I say.
He half laughs. Only half.

8.  Coit Tower Deux

The French clog the hallway parle vous-ing at the Murals of the farming industry of California wrapping around the interior of the tower. All part of the works project- to create jobs for artists during the depression when farmers faced the stock exchange of 1934 till we reach the elevator and sardine in order to see the view.
From the top I look down on pools and patios.
the fog is rolling in over the golden gate
from off the bay. time to descend
I’ll take the stairs.
2:56 pm

9.  Greenwich

Steep stairs from the Coit tower parking lot
take me past secret gardens of not so secret apartments with
hanging gardens from the poets of the technology revolution.
I want to sneak into the private gardens of Telegraph
Hill.
At the bottom
White Angel, where one woman
fed the hungry, the tired, the poor,
from a soup kitchen:
bring me your longshoremen, your lumbermen
your fishermen,
I will shelter them from the storm,
we live on skid row.

I look back up toward Telegraph hill
no one is starving up there.
They starve in places where we don’t have to look at them anymore.

10.  Embarcadero

To the Alcatraz! The sacred rock
Hopi prison- escape from
Bird Man- Capone- Al Bird- Clint Eastwood
all dying to be free
buy your tickets early
this ride is sold out.

11.  To all the Piers I’ve loved before:

From 1 to 45
To the wonderful machine mechanical museum
Where games from over 100 years join
modern arcade games in a fun filled
love story of entertainment
meet such games as “Shoot Your Wad” and “Toothpick carnival”

12.  Linger on the Pier 2

In front of Sinbad’s on Embarcadero
the sun sets behind tall buildings
streams of light shoot
over skyscrapers,
runners run passing like runners running at sunset,
no one kisses, anyone, and the cold wind blows.
My blue scarf wrapped tightly around my neck
the
temperature dropped, and I look at the scuffed toes of
my click-clack Danskas, and try to forget 16th street.

San Francisco breaths, I breath, the sea breaths
the past breaths, the present breaths, the future
holds its breath.

Hlavní Nádraží Station, Prague 1:00 a.m.

I leave you and walk toward
the last exit. I see the
marble tables like
backgammon pieces,
but no one is playing.
I jump empty chairs except
for where two junkies
sleep with their
heavy heads rested in their
folded arms, using their
elbows for pillows
and drool catchers.
A junky
lifts his head mumbles to me.
His mouth barely opened,
a soft grey hue, like
crusted milk around his lips.
He’s falling from his seat.
I stumble backward to
exit doors, and escape.
On to the open street.

Easter Morning in Zizkov, 1999

Easter Morning in Zizkov, 1999: Staring at the Neighboring Building.

Woke up
hung over
again.
Moan and turn
toward the window.
This bed is level with the window,
a bird’s eye view
into a neighbor’s window.
Windows are just windows
not souls into eyes.
Any bird can view.
I could roll out
of this window,
and fall five
long stories to a quick death.
Five long tales.
It would be easy.

“The fall would be so quick
you probably won’t wake till you hit
the ground,
then it would be
just like a flashlight turning off.”
Marco teased me.
I thanked him for the refreshing
insight about my level window.
My life reduced to
a flashlight.
Something to hit over our heads.

Somewhat
comatose looking at white
lace curtains in the facing window,
neighbor’s window,
building across the street.
Lace curtains looking
fresh and clean
dove like
— not dingy and brown
like my curtains.
We are pigeons.
Pigeons can be doves, ask
Warhol, ask Picasso, ask Matisse.

Dear neighboring building
repainted, and power-washed.
Do you stare at our
a faded lime green,
stained from time
streaked from pollution
old tears of moisture.
Do you see art in our grime?
Finger painting
masterpieces done by cats?

I see your angel
awning hanging out
jutting out like it’s
baroque,
or art nouveau.
Why bother to guess?

I have a headache from the thinking.
The night before’s drinking.
It’s Easter morning.
Holidays are sudden events.
We colored bird’s eggs with crayons
days ago,
It was already here.

Bird drinks at Feste’s and Rachele
cornered me
made me promise to paint
color crayon to promise
to hide Easter eggs from view
for all the guests.
All those dirty pigeons.

My head
throbbing,
stomach
rotting:
falling from the windows
another morning in Žižkov.